![]() Like Linda Cardellini in “Green Book” she tsk-tsks her racist-ass husband’s actions like a cinematic Edith Bunker. Poor Anne Heche has a thankless role as Ellis’ voice-of-reason wife. Henson gives her all despite her anemic part, but she’s not the only actress left stranded. Wouldn’t it have been lovely to see that philosophy in action? “The Best of Enemies” doesn’t think so. Atwater where she described her activist model as giving someone what they want and then telling them what she wanted in return. Why did she do this? Well, in researching this story, I read a quote from Ms. When Ellis’ institutionalized son needs a private room so that he can function better, Atwater inexplicably makes a deal with a Black nurse she knows at the hospital. (This isn’t fabricated-the real Atwater was known for this and Henson plays the hell out of these scenes.) But this is all we really learn about her. Meanwhile, grumpy old Ann Atwater is yelling at everyone in power so she can be heard, going so far as to lay hands on the worst offenders. That Ellis’ hands are only dirtied one time is by design. ![]() Ellis is also not present when his cronies threaten a Vietnam vet whose store hires only Blacks, including a fellow vet who manages the store. Ellis’ cronies force her to utter racial slurs as they sexually molest her, and as a result, she votes against her wishes. In that, the other woman is threatened with rape and murder unless she votes against integration. But he’s not present at the second instance. One of the victims is a reputed “nigra lover” whose house is shot up in fetishistic slow motion (making sure not to hit her with any bullets, mind you). Granted, Ellis and his brethren spit racial slurs and don’t want to mix the races, but the two violent acts the Klan commits are both against White women. The way Bissell treats Ellis’ role in the KKK is suspect. More cinematic effort is spent mourning the loss of 650 gallons of gas at Ellis’ place of employment than the subpar conditions the East Durham citizens must contend with because their landlords and politicians are in cahoots with Ellis’ crew. We spend more time in the racist dive bar where the Klan makes small talk than we do in the still-smoldering school where the Black children must take classes despite the smoke. We learn more about Ellis’ family, his Klan buddies and his gas station than we do about Atwater’s daughter, the displaced students or any other Black character besides Bill Reddick ( Babou Ceesay), the guy overseeing the charrette. In fact, Ellis’ big, stand-up-and-cheer Klan membership card-tearing speech makes absolutely no sense in the context of this narrative.Īnd make no mistake, “The Best of Enemies” is a White savior narrative. But it damn sure didn’t happen the way this film presents it. Yes, in real life Ellis did see the error of his ways and change. Regardless, I cannot believe that, in 2019, I have to review a movie where my latest White savior is the same guy who’d put a noose on my neck and hang me from the nearest tree. Did the filmmakers read the room before dropping this insulting malarkey into theaters? Or maybe they read the room just right, considering that the repugnant “ Green Book” just won Best Picture. This movie isn’t just tone-deaf, it’s ass-backwards. Ellis gets to express all sorts of emotions that supposedly represent conflict and humanity all Ann Atwater gets to do is fit the stereotypical role of “pissed off sistah.” Even the movie itself mocks her righteous anger, with White guys implying onscreen that she has PMS. I had to think long and hard before I recalled a scene where Bissell’s camera wasn’t fixated on the angry face of Taraji P. When she’s on screen, she’s either inexplicably doing saintly things for her adversary or scowling at the camera. Despite having an equal share in the story, Ann Atwater is pushed into the background, sometimes disappearing from the film for stretches at a time. Director Robin Bissell’s script has more sympathy for, and pays more attention to, the Klansman than the Black children whose future may be forever damaged by the outcome of the charrette. ![]() My issues all stem from how this movie is about that story. Truth is sometimes stranger than fiction. This, dear readers, is what “The Best of Enemies” is about, and I have no problems with that.
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